by Kate Forsyth
French novelist Charlotte-Rose de la Force has been banished from the court of Versailles by the Sun King, Louis XIV, after a series of scandalous love affairs. At the convent, she is comforted by an old nun, Sœur Seraphina, who tells her the tale of a young girl who, a hundred years earlier, is sold by her parents for a handful of bitter greens...
After Margherita's father steals parsley from the walled garden of the courtesan Selena Leonelli, he is threatened with having both hands cut off, unless he and his wife relinquish their precious little girl. Selena is the famous red-haired muse of the artist Tiziano, first painted by him in 1512 and still inspiring him at the time of his death. She is at the center of Renaissance life in Venice, a world of beauty and danger, seduction and betrayal, love and superstition.
Locked away in a tower, Margherita sings in the hope that someone will hear her. One day, a young man does.
There are a lot of shitty men in this book. Don't get me wrong, some of the women are cruel, too. But about two thirds of the way through the book, I was just like, over men. In particular, Louis XIV, the so-called Sun King, who sounds like a real ass. And let's not forget the Italian man who lined up thirty-nine men to rape Selena's mother. But let's not get ahead of ourselves.
Bitter Greens is told in three tales: in the French court of the late 1600s, Charlotte-Rose de la Force, the real author behind our most familiar Rapunzel tale, Margherita, an Italian girl in the late 1580s, who is the basis for Rapunzel, and Selena Leonelli, born in the late 1400s, who becomes both the model for Titian and the witch to imprison our Rapunzel. The book begins with Charlotte-Rose's incarceration at a convent (as opposed to exile in England, which was a fate worse than death, apparently) and frames the Margherita story, which frames the Selena story.
This was beautifully written - each section is satisfying and meaty, and the heroines (for even Selena is the heroine of her own story) are all, as much as possible, active participants in their own lives. But it's also kind of long, and there's a lot of unpleasant stuff that happens - even to the real life character, Charlotte Rose, like every time we go flashback, she's undergoing some new humiliation. Seriously, TWO men whose families kidnap them to avoid them marrying her? That's impressive.
It's still a good book, but I definitely did not understand why anyone would even want to be at the French court, it sounds like a complete hellhole, full of drama and backstabbing and people who hate you and constantly trying to stay on the good side of a terrible king. I've read another (fiction) book that revolved around the witchcraft and sorcery scandal and purge of King Louis' court - The Oracle Glass by Judith Merkle. The tone of that felt kind of the same, and I was kind of like, why would anyone subject themselves to that? Was non-court life so much worse? I do think that some of the lengthy Charlotte-Rose parts could have been excised without much impact though, since it's a lot of humiliations and degradations one after the other, and more time spent on the things she enjoyed - the salon, and frankly, we don't even get to meet her husband. That might have made it feel a little less unbalanced. I also didn't get the sense that Charlotte-Rose thought much of god except that (in her darker times) that he'd forgotten her, so some of the drama about converting to Catholicism felt low-stakes. Overall, there are happy endings, three of them, just as a fairy tale should have, but it can get kind of depressing first.
I still enjoyed this, and thought it was a very well written, interesting book about a real person and a well-done integration of fantasy into history; and I'm already putting another of her books on my to-be-read list: a retelling of Beauty and the Beast, set in Nazi Germany.
And speaking of which, I saw Miracle of the White Stallions, and it was perfect - cheesy, with a distracting American accent for the hero, and German accents for everyone else, particularly the villains, and plenty of shot of horse dancing. Two thumbs up!
22: A book with a title that contains "salty," "sweet," "bitter," or "spicy"
1.08
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