The Near Witch
By V. E. Schwab
The Near Witch is only an old story told to frighten children.
If the wind calls at night, you must not listen. The wind is lonely, and always looking for company.
There are no strangers in the town of Near.
These are the truths that Lexi has heard all her life.
But when an actual stranger, a boy who seems to fade like smoke, appears outside her home on the moor at night, she knows that at least one of these sayings is no longer true.
The next night, the children of Near start disappearing from their beds, and the mysterious boy falls under suspicion.
As the hunt for the children intensifies, so does Lexi's need to know about the witch that just might be more than a bedtime story, about the wind that seems to speak through the walls at night, and about the history of this nameless boy.
I can't help comparing this to AWGTDB, which I read immediately beforehand, and honestly, the comparison was in Wizard's Guide's favor.
In my copy, the author notes that this is an early book of hers, which has been published after she's been successful otherwise, and maybe this is a self-fulfilling perspective, but it felt more derivative and less "established" than her other works. Of course, it also has that trope I hate, of the late teen/early twenties lady protagonist falling for some random "mystery" boy, and then making choices that range anywhere from silly/ill-advised to dangerous/dangerously stupid because she's just DRAWN to him, and no one else understands her and he's just misunderstood and therefore all choices must lead back to protecting this boy from outside forces (like older adults) who aren't as enamored of him. I just wish there were more natural skepticism in these scenarios. Romance is not even necessary in most of these cases! You can not want to make out with someone, but still object to the idea of them being summarily executed for a crime they probably didn't commit! Also, maybe it would be easier to convince people he's innocent if you weren't so clearly biased.
So, a big part of the book was a non-starter for me, which made the rest of it feel very slight and maybe low-stakes? It was very atmospheric, and the writing is good, but I guess I was never really surprised at any point - yes, her sister will disappear at a point when Lexi is supposed to be watching her (or was warned to watch her), yes, the town elders are all men who don't listen to her/believe her, no, her new boyfriend isn't actually responsible for the child abductions (although how awesome would it have been if he WAS?!), yes, the kids are found alive at the end (how??) and no one dies, except for maybe the bad actor (and sometimes one of the town elders who really deserves it). It felt a little derivative, which I wouldn't use to describe her other work, so it surprised me - in a bad way.
Other reviewers talk about it being fairy-tale like, and I guess I would agree with that - it works best if you just go with it and don't worry too much about nuanced characters. Everyone here has a given role, and they will rigidly adhere to it!
There's an additional story - The Ash-born Boy - in my copy, which goes into Cole's background, and it was okay, although since I found him very uninteresting in Near Witch, I wasn't exactly waiting on bated breath for his backstory. Like I said at the outset, it compared unfavorably to Wizard's Guide, even though maybe the writing/story was more adult, but right now, I want something very different, more pep, less angst! Even though I generally like heroines who get shit done, a lot of the choices Lexi made bugged me because they felt so antagonistic and needlessly invited pushback. And I could have done without the romance, which dragged the story down. I really am noticing that when I finish a book I'm not excited about, it takes forever for me to pick out my next one, which is counter productive, since what I really need after a less than excellent book, is a great book! Right now I'm in the mood for re-reads though, so we'll see what I manage to find.
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