Saturday, June 25, 2022

Trail of Lightning

Trail of Lightning

By Rebecca Roanhorse

While most of the world has drowned beneath the sudden rising waters of a climate apocalypse, Dinétah (formerly the Navajo reservation) has been reborn. The gods and heroes of legend walk the land, but so do monsters—and it is up to one young woman to unravel the mysteries of the past before they destroy the future.

Maggie Hoskie is a Dinétah monster hunter, a supernaturally gifted killer. When a small town needs help finding a missing girl, Maggie is their last best hope. But what Maggie uncovers about the monster is much more terrifying than anything she could imagine.

Maggie reluctantly enlists the aid of Kai Arviso, an unconventional medicine man, and together they travel the rez, unraveling clues from ancient legends, trading favors with tricksters, and battling dark witchcraft in a patchwork world of deteriorating technology.

As Maggie discovers the truth behind the killings, she will have to confront her past if she wants to survive.

Welcome to the Sixth World.


I had this on my list for SO LONG, and I was excited to read it, I swear, but then I read some mishegas about the author being decried as appropriating Navajo culture and mashing things together, which s a shame, since it doesn't affect the quality of the book, but did, perhaps undeservedly, dampen my enthusiasm. I would describe it as akin to Jim Butcher's Harry Dresden series, in tone and style, and I also fell off that series after just a few books, so who knows but that I wouldn't have gone much further anyway.  

The idea is still very cool, and it sounds like the second book explores the Big Water disaster that resulted in the setting, which sounds cool, but execution-wise, the pieces just didn't gel for me.  It may have been my fault, for assuming, for example, that Neizghání was like a mentor/father figure to her (since he found her at age 16 and taught her how to fight monsters), so the incorporation of her being in love with him and being heartbroken at his departure was weird and never gained my sympathy.  Maybe the first book should have been her fighting monsters with Neizghání, and the ending being his departure.  That seems like it would have had a lot more emotional resonance (plus maybe Coyote's beef with Neizghání would have made more sense). 

Here's an early example: Maggie is sent off to track down a monster which has abducted a little girl.  She finds the monster, but the girl is too far gone to save.  She brings back the girl's head for the family, but then just drops it off at the front of the compound, so we never see the family's reaction to either (a) her "rescue" or (b) their child's head. It's like we have to rush along to the next plot point so fast that we don't have time to explore Maggie's life or her interactions with people.  We've lost out on building that connection.

And I couldn't figure out why she ever trusted Coyote, since she says in the beginning that he's tricked her before.  Without actually knowing their background and previous interactions, her conversations with him just felt like I was missing a bunch of context and subtext. I still don't understand what the point of Coyote's mission to Canyon de Chelly was in the first place.  Was that supposed to lead her to Neizghání sooner?

And I don't get why Kai's death was necessary or useful.  Perhaps there's some part of Navajo lore that would have explained it to me, but why would she assume that Kai would be reborn? Or that Tah would be brought back because of Kai's death?

I really liked the monster hunting at the beginning - the trade sequence, the desperation of the locals and the lost little girl.  But it starts to feel a little underbaked soon after she meets up with Kai.   Without the relationship with either Neizghání or Tah, there's very little emotional underpinning here.  When I should be anticipating her fight with Neizghání with dread, all I feel is confusion that she ever agreed in the first place and disdain for her choices (especially since it's "to the death" and Neizghání... can't... die... right?).  I mean, even if we accept that they had a lover-quality relationship, him leaving her spurs her on in a fight to the death in a cage match? Girl, look at your life. 

I just couldn't get into Maggie's head or heart enough to ride along with her decisions or feelings. It's like listening to a friend who constantly makes bad choices, and eventually you get impatient that you're still hearing this hard luck story all over again. I like the setting, I like the background, I like the details, but the characters lacked depth and the book lacked an emotional hook, for me. 

I don't think I'll be getting the next book in the series. This is certainly more of an episodic series than her other, so the plots are all pretty well tied off, even though we're waiting on Kai's rebirth and there's a looming threat of Neizghání breaking out of the hoops.  But I just didn't want to spend more time with Maggie or the other characters.  

39: An #OwnVoices SFF (Science Fiction and Fantasy) Book

Saturday, June 18, 2022

Fevered Star

Fevered Star

By Rebecca Roanhorse

The great city of Tova is shattered. The sun is held within the smothering grip of the Crow God’s eclipse, but a comet that marks the death of a ruler and heralds the rise of a new order is imminent.

The Meridian: a land where magic has been codified and the worship of gods suppressed. How do you live when legends come to life, and the faith you had is rewarded?

As sea captain Xiala is swept up in the chaos and currents of change, she finds an unexpected ally in the former Priest of Knives. For the Clan Matriarchs of Tova, tense alliances form as far-flung enemies gather and the war in the heavens is reflected upon the earth.

And for Serapio and Naranpa, both now living avatars, the struggle for free will and personhood in the face of destiny rages. How will Serapio stay human when he is steeped in prophecy and surrounded by those who desire only his power? Is there a future for Naranpa in a transformed Tova without her total destruction?


So, I was pretty jazzed about the first book in the series, Black Sun, yes?  But I'm struggling with Fevered Star because the same issues I had with Black Sun? I have all over again with Fevered Star. Mainly, Fevered Star has all the same problems of too much build up, not enough release.  Both books have various deaths and betrayals and stuff, and there's a clash between gods to keep the readers busy, but it still feels a lot like place-setting.  

Let's recap, since I guess I'm committing to the next book in the series.  Serapio lives (this is apparently Not Part Of The Plan, which is uh, news to me.  Guess my last recap should have been more detailed), and he winds up falling with Okoa and Carrion Crow, before getting overwhelmed by zealots, disbursing himself into birds, and then basically biding time until he can confront Naranpa again. 

Naranpa is also alive (not a surprise, thanks recap!) and comes to in the crypts over at Coyote's Maw. There's some back and forth with her brother, but eventually he convinces her to put herself out there as the Coyote Matron (he does this by promising on her behalf, without talking to her about it first, and then when she says no, his punishment consists of thorns through his dick, which I think is totally unnecessary. Surely there was another way to arrive at this plot point).  She does, and also finds new powers as the actual sun god avatar, and ends up confronting Serapio and telling him instead of trying to kill each other, he needs to unite the whole city to save it from the other enemies, while she goes to learn more about her new god powers, which include turning into a big bird. Oh, and her brother dies, and Naranpa makes his ex-girlfriend the new Coyote Matron.

Xiala wanders around trying to find Serapio, once she realizes he's alive, and ends up falling in, semi-accidentally, with Iktan (who is also alive, but that's only a surprise to some people, I think). Iktan is spying on Carrion Crow when we meet him (I guess he had a sub in at the great deathening, and he's mad that Naranpa "died" so he wants revenge or something) but he and Xiala quickly fall in with a Golden Eagle contingent marching around on the plains.  Xiala gets landsick, the Golden Eagle commander lies to Iktan about Naranpa being alive, and we find out that Xiala left Teek because she thought she killed her mother who (in a surprise to Xiala but definitely not to the readers) is not dead, but in fact shows up in the third act at Hokaia as the queen of Teek (even though they don't have queens, just go with it).  Her mom claps her in irons to take her back to Teek.  Note: I am not entirely sure how this is justified, since the murder she thought she committed clearly wasn't. So what crime was she guilty of? Unclear.  Also, I'm lovin' all these people who are alive when they're not supposed to be.  It's thrilling!

Anyway, also converging on Hokaia is Balam and a contingent from Cuecola.  Now Balam is the plotting one, I guess he set up the Serapio thing to... make Tova vulnerable? And then he was also planning to like, take over the world? All I know is that he's devious and plotting, and chewing on god parts so he can dreamwalk, and he's both committed to another politician that he's going to raze Teek, while also promising to Xiala he'll get her back on a ship if she'll be his spy on the inside.  I assume he did not tell her what happened to his last spy (tortured).  Anyway, Hokaia is where all these random factions are meeting up, Golden Eagle, the Teek contingent, the Cuecola plotters and the new ladies leading Hokaia, after an internal coup. Again, I'm not really sure what everyone's initial plans were or what they're all trying to accomplish now, but I like the energy! 

Oh and Okoa: he fiddle faddles around, feeling bad for himself, torn about helping Serapio (who leads the zealot crows) versus his sister, who leads the normal crows, and then he finds out who in Carrion Crow betrayed his mother but that person is like, immediately murdered, so it's not really a big thing.

Again - we're doing a lot of moving people around with not a lot of results here.  There's machinations out the wazoo, but very little payoff.   The stuff I understood the most, i.e., the attempted coup by Golden Eagle, the clash with the Carrion Crow zealots, all the Tova stuff basically, which is the whole first book, turned out to be sort of pointless, since all the main action now centers around the players meeting in Hokaia.  It's honestly frustrating, not to mention that the MAP is COMPLETELY USELESS.  I have always taken issue with the way Tova, an ostensible inland river city, is made of up islands that are like, perpendicular to each other, not to mention all the mentions of canyons and bridges and borders between zones, which are NOT on the map, and now Naranpa can get from the Maw into the celestial tower, which is three zones over, go through a bunch of books in the library, confront Serapio and get back in nine hours, total??? Is this town like, a town for ants? Irrelevant tangent, sorry, but anyway, we get outside of Tova and the first place we go is NORTH, which is nowhere to be found. Like sure, it's boring and doesn't really matter, but seriously, if you make a map, you need to put the places on it where your characters go!  

So this whole thing is actually pretty frustrating.  That being said, as I mentioned before, I am committed and planning to read the next one, but Roanhorse better start resolving threads, if not outright finishing the series, or I may find myself falling off. This is an exciting world, but my patience is not limitless.  There's no single character that I'm hooked by, so the book itself has to hook me. Let's see if she can stick the landing. 

More map rants: Why is Tova so far upriver? Why aren't the big towns at the deltas, for both Tova and Hokaia? How big is this world supposed to be? It's winter in Tova while it's spring in Hokaia, and apparently Teek is warm all the time, but like, Tova and Hokaia look like they're at the same latitude. I know I was pretty pissed about The Cartographers, but their initial idea to do a bunch of fantasy maps like real places and vice versa was super cool. I wish Fevered Star had a realistic map. 


03: A Book About or Set In A Non-Patriarchal Society



Saturday, June 11, 2022

The Cartographers

The Cartographers

By Peng Shephard

Nell Young’s whole life and greatest passion is cartography. Her father, Dr. Daniel Young, is a legend in the field and Nell’s personal hero. But she hasn’t seen or spoken to him ever since he cruelly fired her and destroyed her reputation after an argument over an old, cheap gas station highway map.

But when Dr. Young is found dead in his office at the New York Public Library, with the very same seemingly worthless map hidden in his desk, Nell can’t resist investigating. To her surprise, she soon discovers that the map is incredibly valuable and exceedingly rare. In fact, she may now have the only copy left in existence . . . because a mysterious collector has been hunting down and destroying every last one—along with anyone who gets in the way.

But why?

To answer that question, Nell embarks on a dangerous journey to reveal a dark family secret and discovers the true power that lies in maps . . .

I was super pumped by the first few chapters, by about halfway, I was getting very doubtful about the possibilities of the book, and when it ended, I spent at least a good ten minutes righteously racking up all the plot holes and things that I thought were dumb.  First on the list was the hinge of the book, that two parents decided that the MOST REASONABLE thing to do, when presented with a somewhat out of order friend, was that one of them WOULD STAY HIDDEN FOR THIRTY YEARS, while she DREW A MAP, and the other would tell their three year old daughter that her MOTHER HAD DIED IN A FIRE.  Yes! YES!! This is what two (I assume) sane people thought was a good solution to the fact that one of their friends had gone gonzo and burned a bunch of gas station maps.  Let's back up though.

Nell is Dr. Young's daughter. Her mother died when Nell was young, saving Nell from a fire. Dr. Young is a preeminent cartographer at the New York Public Library. Although Nell used to work there too, the fulfillment of all her childhood dreams, her father got her fired one day after she opened up a old donation box in the museum and found a gas station map.  Since then, seven years ago, she's worked at a second rate art map place and has not spoken with her father.

She gets a call that her father died in his office, and she finds the gas station map in a secret compartment of his desk (nifty, right?).  She begins showing it to various people, trying to understand why he kept it.  Someone else we don't really care about is murdered.  No wait, two people! (that's how little we care about them).  She learns about a secret group called the Cartographers (silly name, but okay, still with you), and finds out that long ago in grad school (danger!) her parents and five other people formed a group who really liked maps.  Eventually they graduate and, with one thing and another, find an old gas station map from the 1930s with a "phantom settlement" on it, i.e., a deliberate error that was designed in order to ferret out copyright infringement of their map.  However, they realize that when actually using the map, they can see the settlement, and enter into this "town", which is basically a shell, like that fake place Indiana Jones found himself in for the nuclear test during Indiana Jones 4: Kingdom of the Crystal Skull.

So naturally, they get super into the town, and some of them try and map it, and some of them cheat on their partners, and some of them go crazy and decide to beg, borrow, or steal all the maps in existence that show this town.  

When things unravel, as naturally they do, paranoia reigns, the cheating partners get caught, in revenge one of them steals a map from the crazy dude (Wally) and then tries to sell it back to him for money, and he finds out and goes crazier and he burns all the spare maps.  Except woah! Nell, the three year old afterthought who was being raised in a map lunatics commune is somewhere in the fire, so her mother runs in to get her, and then hands her off to Dr. Young. Meanwhile, as the maps go up in smoke, everyone, sans mother, wakes up in a field, since they no longer have the secret map.  They decide, hey, have to explain mother's disappearance and child's burns somehow, so they burn their own house down, and then never talk to each other for the next thirty years. Except! Dr. Young discovers that Nell's mother hid a last copy of the gas station map on her child as she rescued her from a burning building, her final act of caring about a map more than her own child (or is it?).  So he hides it in a box of old junk at the public library (as you do).

Nell discovers all this over the course of her investigation and (crucially) that all maps with these "phantom settlements" - which can be as small as a fake door, or a fake room - have this super power.  She and her old lover Felix, who is now working for the mysterious William Habberson - a man who is rarely seen in person, and incredibly focused on some sort of technological map thing that requires every input ever made and then it... answers all questions? Unclear - tootle around discovering things and wind up back at the original site of the phantom settlement with the map and none other than William Habberson, who turns out to be crazy Wally (Surprise! But also, duh), who was searching for another copy of the map for the last thirty years, and then they go in, and find Nell's mother, and realize this was part of some scheme cooked up by Nell's mother and father in which (and this made bonkers sense to me, so forgive me if I'm not explaining this correctly) they decide that in order to protect... themselves? from Wally, the mother will stay in town and make a map, and the father will pretend he doesn't have the map.  And then, when the mother's map is finished, she can come back out because... there'll be another map and that will make it okay???

No, seriously, ?????????????

 Anyway, in the midst of all this, yet another person is murdered by Wally, and they find out that the mother did create a map (so sick of typing the word map) and Wally tries to make her scan it into his super MacGuffin digital database and Nell does... something, I don't know, moves it by writing on it (??) and the settlement disappears for everyone else, again, and then six months later Nell sends out invitations to everyone to come see the secret town. And then the book ends.  

And no, I am not leaving out huge chunks of the book, and no, I am not making anything up. So now that you're caught up, and in no particular order:

1. Was there ever any doubt that the mysterious Wally would in fact be the William Habberson that only Felix has met in person? 

2. Is there any point to the fact that Nell is dodging the police detective's phone calls and in-person conversations (and is he following her and assuming she murdered her father? If so: why on earth?).

3. If her father had a secret compartment in his desk, why (a) tell her about it and (b) not hide the map there? Or, and here's a radical idea, tell your daughter it's the last map her mother ever gave you, and it's sentimental, so she doesn't tear it up or throw it out or anything?

4. How on EARTH did her parents spend more than two minutes thinking their plan made any damn sense? As soon as he found the map, why not immediately use the map to get back to the town, rescue the mother and give Wally the damn map.  At that point in time, no one knew he murdered people.  They just knew he was bonkers for maps, and in love with the mother.  Save her, give him the other and voila! No more obsession!

5. Man, if I found out my mother abandoned me when I was three to sit and draw a town map for thirty years, I would be pissed.

6. How did it take thirty fricking years for her to come up with a reasonable map of this place?

7.  How did Wally manage to find ALL THE MAPS of this place in a single summer in 1990, without the benefit of the internet? Somehow, magically, all the people going through their old attics never found another old map after that point in time? Because if so, you'd think Wally would have snapped it up and visited the town a long time ago, revealing this stupid plan for the master piece in idiocy that it was.

8. How come the mother was stuck in town, but no one else? Sure, she had a spare map, but then, so did Nell (and Dr. Young, who was holding her after the fire).  Was the mother looking at the spare map when all the other ones burned? And how come no one else, after several people realized that Wally was stashing all the other copies, thought maybe it would be useful if all seven people didn't rely on a single map to get in/out of this place.  Just take one for each person.  Like hotel room keys.  I get annoyed if there's only one key for two people. As soon as any of the others realized that more copies could be found, the most natural thing to do would have been to stash a spare copy for all the other cartographers.

9. The better plan, obviously, even if they went along with the absurd hiding thing, would have been for Dr. Young to anonymously tip off the police that Wally was in the same place as all these people who got murdered and that he's obsessed with this map.  Then, when he's in jail, spring your wife from map-purgatory. Mapurgatory.

10. For that matter, the whole point of this map was that it was used to catch out copyright infringement, which apparently Rand McNally and the other mapper were doing.  So shouldn't all the maps from 1930, not just the ones from this particular company, have the settlement and can be used to find the town?

11. And how come no one experimented with the idea that making a map of a real place with a fake place on it makes the fake place real? That would have been the first thing they should have done.  How realistic of a map does the drawing have to be? Does the intent of the phantom settlement have to be pure, or can anyone who wants to have an ice cream parlor down the street add it onto a map and bango presto!  We find out later that doodles really do create things - the mother adds a restaurant and hospital to the town, and Nell moves (still have no idea how she did this using a ball point pen, but whatever) the town by drawing it. Seriously, no one tries re-drawing the map?

12.Wally has spent thirty years going through all the maps at the New York Public Library, but Nell finds it in one afternoon looking at a box of junk on her day off?

13. Once he knows that Wally knows he has the gas station map, (a) it still takes Dr. Young seven years to decide he needs another map with a backdoor exit and (b) he says nothing to Nell about this whole thing.

14. Wally keeps murdering people without actually getting the last map.  Poor strategy. You'd think after murdering Dr. Young and still not finding the map, he'd actually have like, waited to murder the director of the library until after having map in hand. Unless he just likes murdering people, which is assuming facts not in evidence.

15. Wouldn't it have made so much more sense for Wally to use Felix to get close to Nell and get the map??? Instead of like, infiltrating the library, why not just tell Felix, "Hey, there's this map Dr. Young had of mine, and if Nell ever mentions it, can you let me know?"

16. NONE OF THE PLOT ABOUT HOW THE TOWN DISAPPEARS FOR SOME PEOPLE IF YOU DON'T HAVE THE MAP MAKE SENSE. EITHER SEVEN PEOPLE WERE USING A SINGLE MAP TO GET IN AND OUT OR THE MAP ONLY WORKS IF YOU'RE LOOKING AT IT, BUT NOT BOTH.

17. Haha, eight people. I keep forgetting they had a toddler with them.  As they do themselves, it seems.

18. Why not just print tens of thousands of your map, Dr. Young, and send them to all the people who had their maps stolen or sold to Wally? It'll take him a while to track them all down, and at lease one person will hang onto their map, thinking it'll make even more money when the other copies are mostly sold.  This plan has the side benefit of tempting Wally to murder more people, giving them more opportunities to TELL THE POLICE WALLY IS MURDERING PEOPLE.

19. Seriously, Wally is not some criminal mastermind here. I'm pretty sure he still has DNA, even if he can get in and out of places using maps with secret exits.

20. I can't even.

21.WAIT, I forgot a big one.  WHEN YOU BURN DOWN A HOUSE, THEY DON'T FORGIVE YOUR DEBT, THEY ARREST YOU FOR ARSON. I'm pretty sure they knew what "arson" was in the 1990s.


01: A Book Published in 2022

Saturday, June 4, 2022

Girl A

Girl A

By Abigail Dean

She thought she had escaped her past. But there are some things you can’t outrun.

Lex Gracie doesn't want to think about her family. She doesn't want to think about growing up in her parents' House of Horrors. And she doesn't want to think about her identity as Girl A: the girl who escaped, the eldest sister who freed her older brother and four younger siblings. It's been easy enough to avoid her parents--her father never made it out of the House of Horrors he created, and her mother spent the rest of her life behind bars. But when her mother dies in prison and leaves Lex and her siblings the family home, she can't run from her past any longer. Together with her sister, Evie, Lex intends to turn the home into a force for good. But first she must come to terms with her siblings--and with the childhood they shared.

What begins as a propulsive tale of escape and survival becomes a gripping psychological family story about the shifting alliances and betrayals of sibling relationships--about the secrets our siblings keep, from themselves and each other. Who have each of these siblings become? How do their memories defy or galvanize Lex's own? As Lex pins each sibling down to agree to her family's final act, she discovers how potent the spell of their shared family mythology is, and who among them remains in its thrall and who has truly broken free.


I 'd like to say I knew what the (or "a", I guess, since both are revealed very closely in time) "twist" was from the very beginning, but if I'm being honest, I could only so far as to say that I was mildly irritated that there were supposedly seven rescued people but only six chapters, and that we skipped Boy C and went from Boy B to Boy D.  Normally that would alert someone that yes, Boy C is missing and therefore probably not alive, but I was like, Hey, maybe I can't count, or keep people straight, and I'm just along for the ride, so take me where thou wilt.  So yeah, I was not really surprised that Boy C was summarily dispatched as soon as we knew his name, although it was honestly heartbreaking to know he'd died the moment we knew who he was.  And the other death twist was also not a huge surprise, although I'd been misled by the conversation about wedding guests, and Girl A's comment that Evie and Delilah didn't get along.  

So if it was meant to be a shock, total failure.  But I'm not really sure what the book was going for - was it going for a meditation on what it takes to survive? Or is it a tragedy about how this family ended up in this situation to begin with? I'm going to assume the author borrowed inspiration liberally from the Turpin case, although the story is set in England (part of it takes place in Blackpool). There's other long term child abuse/imprisonment cases but to be honest, most of them come with a side of sexual abuse too, which was not really present as such in Girl A (there is a fadeout of a punishment and the implication that a wooden stake messes up Lex's ability to have children, soooo...probably present? But also unclear). 

I dunno, the book is a fast read, but because of the present and past framing aspect, it feels like we have trouble striking the right tone.  The present stuff is all about getting approval to make the house into a community center, which isn't exactly scintillating stuff. The climax of this storyline is Lex's realization that Evie died, which, since we're viewing it from her perspective and she doesn't know it (because trauma), can't be used as a build-up of tension, so we're sort of waffling about for a good chunk of story there.  

The past storyline is interesting, but we spend a lot of time on the before aspect of things, and don't get into the Binding Days etc., until the very end (although once we were in that part, I very much did not want to be. I had a dreadful foreboding about the baby, and just did not want to get into that).  It felt weird to be reading this as entertainment, like it just reinforced the feeling that anyone reading this is ghoulish.  The Marsh King's Daughter (and Room for that matter) did a better job, I think, of making this type of story enjoyable (for lack of a better word) by avoiding the POV of the primary victim, and focusing on the child who had a very different perspective. And The Marsh King's Daughter went a step further in making the main character kind of unlikeable too, a product of her environment, but still pretty cold to her mother and other people's problems. 

I think I saw that Dean's intention was to focus on the aftermath sort of, the media and attention and not on the crime itself.  If so, then I think we should have had the revelation about Evie much much earlier in the book. It springs from a decision that the psychologist (Dr. K) makes about Lex's recovery and for better or for worse, informs a lot of Lex's decisions and actions, but it comes too late to do much more than wrap everything up. There's a lot that's held back, I assume because of pacing issues (Noah's life, Ethan's participation in the final beating), that if we're making this a story about the ways these families are failed after the initial media onslaught, doesn't do justice to that aspect. G's chapter deals with this the most, but we spend very little time (if any) on Ethan or Delilah's foster situations, and how they decided to separate the kids versus having them do group sessions together. 
  
Overall, it was engrossing and kept me interested, but after I was done I felt gross and unhappy.  I needed something different right away to wash the taste out. Anyway, this may be stretching it, but the wedding is a focal point of the book, and we have a big scene there, so I'm calling it a party book. Kind of ironic, since this is the last book where you'd think, "I bet there's a party scene!" 

38: A Book Featuring a Party.