She Who Became the Sun

She Who Became the Sun

By Shelley Parker-Chan

In a famine-stricken village on a dusty yellow plain, two children are given two fates. A boy, greatness. A girl, nothingness...

In 1345, China lies under harsh Mongol rule. For the starving peasants of the Central Plains, greatness is something found only in stories. When the Zhu family's eighth-born son, Zhu Chongba, is given a fate of greatness, everyone is mystified as to how it will come to pass. The fate of nothingness received by the family's clever and capable second daughter, on the other hand, is only as expected.

When a bandit attack orphans the two children, though, it is Zhu Chongba who succumbs to despair and dies. Desperate to escape her own fated death, the girl uses her brother's identity to enter a monastery as a young male novice. There, propelled by her burning desire to survive, Zhu learns she is capable of doing whatever it takes, no matter how callous, to stay hidden from her fate. After her sanctuary is destroyed for supporting the rebellion against Mongol rule, Zhu takes the chance to claim another future altogether: her brother's abandoned greatness.

I got into this one! I heard it recommended before I heard it was actually a twisted history of a real person, the Hongwu Emperor of 1300s China, who founded the Ming Dynasty. So I was originally interested as an original fiction tale, rather than a fictionalized version of a real person.  I'm not sure which is harder, but it works on both levels.  There's almost a Michener/McCullough/Rutherfurd feel to it.  That's not a knock; their books give a very personal spin on history.  She has a fairly broad scope.  We're given a fair number of narrative viewpoints - Zhu herself, Ma, the thief, Esen, Ouyang - although the focus is primarily on Zhu's rise from peasant through the Red Turbans, and secondarily on Ouyang's revenge on the Mongols, and the bulk of the book takes place over two years while the Mongols and the Red Turbans fight for ascendancy over central China. I did wish, at points, for Zhu to be even more prominent in the storyline, rather than switching back and forth, although there's usually always a reason for it (although the thief's purpose as narrator seems specious  - it feels like Zhu could have taken that on herself. The only major exception I can think of is the thief's narration of the ghost meal plot, and if Parker-Chan didn't want to tip us off too early as to Zhu's plan.  But I will continue to say what I've always felt, which is that while a good surprise can make a book great, misdirection of the readers can feel like a cliched ploy- unless it's the point of the book, like Agatha Christie's The Murder of Roger Ackroyd. When you know what's happening early on, like here (Parker-Chan intentionally hints what Zhu will do!) it just seems cheap to try to hold back the reveal further. I think that's one of the reasons I was so unmoved by Gideon the Ninth, it just felt like the author held back so much in order to make the plot points pop, which felt underhanded and manipulative.)

Zhu as a character wholly succeeds for me, although I wish we had more formative years with her. Ouyang I didn't want to like, partly because he was positioned in opposition to Zhu, and maybe also partly because I think Zhu made a good point about him thinking that being castrated had anything to do with being less of a man (although to be fair to him, everyone else certainly thinks that, so I assume it would be hard for him not to do so likewise). I kind of agree with Zhu on this one: to survive is the key.

There's a lot in the book about fate: escaping it, turning towards it, helping someone realize their own, and it's interesting how Parker-Chan has added an additional magical element, by ghosts and this idea that the Mandate of Heaven is actual fire that can be seen.  I'll be waiting to see if the new elements make any material difference in the storyline versus Zhu Yuanzhang's documented life. 

What else can I say? It's lengthy but compelling.  Parker-Chan does a good job keeping characters distinguishable and memorable, even with the Chinese naming conventions (at least we don't get into Russian naming conventions which are pretty much: anything goes and god be with you), so even though we substantially broaden our cast of characters after the first section, the average reader shouldn't get lost. Pacing is good. Oh, right -!

This is just Part One.  Of how many, I don't know, maybe two? Three? I mean, we spend most of the book on just two years and Zhu Yuanzhang lived until he was almost 70, so, in theory I guess, like it could be the first of twenty. I don't know if the next will focus much, or at all on Ouyang, who finished up the first part of his REVENGE, and is now gunning for the whole Mongol court, and I know Chen will pop back up at some point (thanks, Wikipedia!), but it seems like Zhu is pretty comfortably in charge of the Red Turbans, the prime minister and young lama are dead, and now all she has to do is unite central China.  Easy!  Especially when a stray eunuch is targeting your biggest enemies preemptively.  Parker-Chan's website says it's a duology, although no name or information is available about part 2, so we'll see.  Honestly, it does mostly stand on it's own, although it feels also a bit unfinished at the end.  Things wrap up rapidly and we don't see much fallout, aside from Ma's objections to the death of the young Mandater.  

[Sidebar: I did find the tone of the section on the child's death a little weird.  It just felt...like it was supposed to mean more than it did? I mean, was anyone really surprised that Zhu killed the kid? We know how the story ends, and while yeah, it's possible for misadventure to befall people of many ages for many reasons, did anyone, except Ma, think this child was going to be leaving the situation alive? It's almost more interesting to me that Parker-Chan had Ma object so strenuously to it, although it is in keeping with her character.  But you'd think Ma would have become slightly more pragmatic at some point, having seen her father killed in battle, her fiance executed for a traitor, and her husband lose his arm in a duel. Or is Parker-Chan's point that after a very short time in Zhu's life, she's gone from agonizing over killing a monk to a child's death not even meriting a debate. If so, she weirdly missed the mark, maybe the conversation should have been with Xu Du instead.]

Anyway, I like rooting for people who seem smart, and who figure out solutions to their problems that I can't guess, so I'm all in on Zhu's side.  Which is great, because it sounds like she's going to found a preeminent dynasty. Let's see what she does next!  And we'll gently ignore the pun in the title She Who Became the Sun because I feel dumb I only just noticed it, and also it's too on the nose for words. 

22: A Book with a Character on the Ace Spectrum

When the Tiger Came Down the Mountain

 When the Tiger Came Down the Mountain

by Nghi Vo

The cleric Chih finds themself and their companions at the mercy of a band of fierce tigers who ache with hunger. To stay alive until the mammoths can save them, Chih must unwind the intricate, layered story of the tiger and her scholar lover—a woman of courage, intelligence, and beauty—and discover how truth can survive becoming history.

 

 How many times have I said I expected and wanted a book to be better? Add this one to the list. I enjoyed the first one, albeit in a quieter way. For all that's it's very short, it felt like it dragged in the middle, while also not much happens. The framing storyteller mode is charming, but then everything is filtered through Rabbit, so we're getting a story of a story, and it doesn't really come together until the end, but it feels like more of a "Ah, okay" than a "Whoa, really?!" moment.  Anyway, I was interested enough to pick up this one, which I hoped would improve on the series. It did not. 

Vo plays around more with the storyteller trope and the unreliable narrator.  Here, both Chih the cleric and the Tiger take turns telling the story, which changes (drastically, in some cases) with the teller.  And that sounds like a great idea, but in practice, it falls very flat for me, mostly because there didn't seem to be much point.  There's a lack of cohesiveness in the way the intertwining parts of the story pull together. For example, what happens in one installment doesn't seem to affect or tie in much with what happens in the other installments.  Basically Chih goes, "This is how I heard this part" and the Tiger goes, "No, it was like this." and after you finish reading both parts you're not left with any kind of sense that maybe the truth was somewhere in the middle, it's like you just read two different stories about different things.  

Now that I've typed it out, I think that was my biggest problem, that lack of feeling like both stories were self-serving but different reflected versions of the truth.  Think of this like a divorced couple (or any couple really) or a lawsuit - both sides have their own versions of arguments and grievances, which present their own protagonist in the best possible light (or the most logical light, etc).  So it's a really interesting idea to create this dueling POV.  But it just wasn't that successful for me.  I didn't finish it and come out with more than the stories themselves, no greater insight for having heard both halves.  Maybe Vo should have tried that old chestnut and added a third storyteller: "His side, her side, and the truth".  

Vo is part of the new wave of sci/fi/fantasy authors who are including more varied representations of gender/sexuality/etc, which seems like it would be a natural fit for a story about a Tiger and her wife, but again, it just didn't seem to have that much to say about it.  I was intrigued enough from the first one (and of course, the length is a bonus - not much time commitment!) to get this one, and I'm still intrigued, but not so anxious for the next one to arrive. We'll wait and see. 

04 - A Book with a Tiger on the Cover or "Tiger" in the Title

The Iron Will of Genie Lo

The Iron Will of Genie Lo

By F. C. Yee

 

Genie Lo thought she was busy last year, juggling her academic career with protecting the Bay Area from demons. But now, as the Heaven-appointed Guardian of California, she’s responsible for the well-being of all yaoguai and spirits on Earth. Even the ones who interrupt her long-weekend visit to a prestigious college, bearing terrible news about a cosmos-threatening force of destruction in a nearby alternate dimension.
 
The goddess Guanyin and Genie’s boyfriend, Quentin Sun Wukong, do their best to help, but it’s really the Jade Emperor who’s supposed to handle crises of this magnitude. Unfortunately for Genie and the rest of existence, he’s gone AWOL. Fed up with the Jade Emperor’s negligence, Genie spots an opportunity to change the system for the better by undertaking a quest that spans multiple planes of reality along with an adventuring party of quarrelsome Chinese gods. But when faced with true danger, Genie and her friends realize that what will save the universe this time isn’t strength, but sacrifice.

Yes, the story is about a reincarnation of a metal rod from ancient chinese mythology in the body of a Californian teenager.  I know this, and I love it anyway.  Genie Lo is dry and funny and trying desperately to keep her head above water in her home life, college applications, boyfriend problems, and keeping her commune of demons from breaking out and wrecking havoc over the countryside.  

On a college visit, staying with her friend Yunie's cousin, Genie ends up getting enmeshed in several demonic and non-demonic army retreats (drawn to her aura), and joining forces with various gods, in the absence of the jade emperor, to stop the threat and potentially ascend to the throne of heaven.  Genie's got her money on Guanyin, while Quentin is backing his old buddy Guan Yu, with straight-A student type Nezha, and former defeated foe (and emperor's nephew) Erlang Shen rounding out the contenders, and Great White Planet tagging along to keep score.  

It's just a really charming book, and the characters are (mostly) trying their best. It manages to blend the mom's sudden and scary illness/college visit/mysterious absence of jade emperor and new demonic presence really well, although mom's illness got maybe the shortest shrift.  There's obviously themes going on in there about sacrifice and doing the right thing, and there's a scene which perfectly encapsulates the infuriating attitude of those born to invisible privilege. Surprisingly, I think Genie's mom nailed it at the end when she talks about how sometimes we have to accept that we can't control or guarantee the future, and all we can do is keep making the best decisions we can and supporting each other (and also the importance of letting your teenage daughter have a normal college experience, even if is she an ancient magical beating-stick).  I mean, that kind of anxiety is something I still struggle with, and I am much older and less prone to beating people up than Genie is. 

The old characters, particularly Erlang Shen, really got developed and fleshed out.  Erlang Shen become less of a three dimensional villain, what with his explanation for his earlier actions, and his relationships with some of the other characters adding a humane side to him.  As far as the new characters went,Yunie's hilariously deadpan older cousin blew everyone else away, but there wasn't a really sour note.  

The tone of the book wavers somewhere around Avatar: The Last Airbender (which makes sense, since the author's other book is an Avatar book) and Kung Fu Hustle, with the mix of martial arts, comedy, and sudden bursts of warmth and heartfelt interactions.  It's interesting how much happens "offscreen" - Yunie's adventures, and her parents' reconciliation could both have been much longer sections of the book, but we breeze past everything at a pretty good clip, and I didn't mind the recap-style overview, although others might.

The ending tag also really hit the spot for me.  I was honestly not sure if there would be a third in the series, so I was (a) glad to see how things got wrapped up and (b) COMPLETELY surprised by how things got wrapped up - the (SPOILER ALERT) time jump really tugged my heartstrings, the way that they kept working towards rescue and not giving up even years later.  I'm kind of mad though that we didn't get to see Genie in college, and all the stuff in between.  I also forgot about the three versions of the Ruyi Jingu Bang, and thought she already had the cloning power, so it's good that the rescue wasn't supposed to be more built up.  If there ever is a third one, I'm on board.   Especially since they make so many interesting allusions to what happened in the interim! A collection of short stories set in this timeframe would be perfect.

Just as a side note, um, do her mom and dad not notice that she's made of iron and has glowing eyes?  Let's make that one of the short stories!    Come on, do I have to do all the hard work here?

The Hidden Moon

The Hidden Moon

By Jeannie Lin

A well-to-do lady in the later years of the Tang Dynasty investigates a murder with imperial connections with the help of a street-wise scoundrel. 

This one I liked very much at the outset, not least because of the location and time of the setting, which I don't have much exposure to.  It made me look up Tang Dynasty clothing styles!  However, the main character, Wei wei, wasn't that compelling to me, and I kinda wished we'd focused more on the political intrigues than the romance.  Although I can see objectively why Gao might like her (educated, beautiful, headstrong) her personality just never quite meshed for me. I ended up moving through the back half of the book fairly quickly.

I liked Magistrate Li quite a lot - he may not be as swashbuckling as Gao, but I like a guy who does his job well and honorably.  That's sometimes the problem in these books - since the author knows they're doing a series, they make the side characters too compelling.  Here, the third character in this love triangle (even though neither Li nor Wei Wei wants to get married to each other) was, to me, more worth following than the two mains.  Perhaps he'll have his own story someday! 

 And even though it was the basis for the connection and romance, the murder investigation got wrapped up so quickly I thought it was a fake out, and at least one story-line seemed like it got dropped completely (so the last assassin that Magistrate Li and Gao were going to draw out by using themselves as targets was... non existent? And we never really find out if the nephew was a co-conspirator or snitch? The other person meeting with Song Yi was.... not someone important to the plot?).  The murder was also a little hard to follow because of my unfamiliarity with Imperial China's social structure and laws - motives and relationships could have been explained a little more for my taste.

Moonraker's Bride

Moonraker's Bride, by Madeleine Brent

Born in a Mission in China, Lucy Waring finds herself with fifteen small children to feed and care for. The way she tackles this task leads to her being thrown into the grim prison of Chengfu, where she meets Nicholas Sabine - a man about to die. He asks her a cryptic riddle, the mystery of which echoes through all that befalls her in the months that follow... She is brought to England and tries to make a new life with the Gresham family, but she is constantly in disgrace and is soon involved in the bitter feud between the Greshams and a neighboring family. There is danger, romance and heartache for Lucy as strange events build to a point where she begins to doubt her own senses. How could she see a man, long dead, walking in the misty darkness of the valley? And who carried her, unconscious, into the labyrinth of Chiselhurst Caves and left her to die? It is not until she returns to China that Lucy finds, amid high adventure, the answer to all that has baffled her.

Aha, so I was actually reading Shiver when this book arrived, and I picked it up and read, like, the first three pages, and decided, eff it, I'ma just read the whole thing in one go.  SO WORTH IT. I think it was that moment when Lucy is like, "I know that I could have one of my hands cut off for stealing, but there is no other way to get enough money to feed my little Chinese orphans.  But Ms. Prothero would be so upset.  WELP, JUST GONNA HAVE TO LIE TO HER, THEN, I GUESS." And then heads out like a boss to go thieving (and gets thrown in jail and has adventures)!  I have decided that I have a new (old) favorite archetype: the lady who Gets Shit Done.  Like, yes, you are in a sticky situation, and everything is going to hell, but you have to keep doing the best you can with what you got.  Lady, I salute you.

So Moonraker's Bride, despite it's terrible 1970s title and windswept cover, is actually pretty enjoyable.  Like, good enough that I did, for a brief moment go, "Would it be cheaper to just pay the library fine than buy it online?" because it is hella expensive.*  But then I would deprive other card members of the glory that is Moonraker's Bride.  But.  I was tempted, is what I'm saying (mostly because I am also hella cheap).

I will admit, Moonraker's Bride is not, like, the Decameron, okay?  Ain't no one going to be writing their thesis on it (I hope, geez).  But it is a stellar example of the romantic suspense category, I mean, you've got exotic settings, mysterious treasures, riddles, uptight English people, and an arranged jail marriage (which is not as gross as it sounds).  And I know this sounds like faint praise, but I thought the book would be super-racist (as many of those era are) and I did not find it to be so (note that more sensitive people may disagree). 

Hand to god, I liked just about everything about it, but especially Lucy - she plays a good martyr, and mostly tries not to rock the boat, but at the same time, when shit needs doin', she gets it done.  There's a scene in which a little boy is lost in a snow-storm, and Lucy is the only one who might know where he is, but her patronizing patron won't listen to her, and does she wail into some nice fellow's waistcoat until he goes out and saves the day?  No, she puts on her big girl pants (literally) and walks through a blizzard to rescue this kid.  Also, words cannot express my delight at the dinner scene wherein she believes that she was brought over to England to be a concubine. 

Brent's books (and I have to admit, I went out and immediately read two more after this one, Golden Urchin and Stormswift (not as good, sadly, but still a fun time)) follow a fairly basic pattern: accommodating, yet stalwart heroine, usually raised or living in a distant and exotic location, is brought back to civilization, i.e. England, and deals with people trying to kill her, romance, and overcomes an obstacle which only she, with her unique background, can surmount.  Also, any extraneous people in a love triangle (whether with the heroine or not) are summarily killed before the book ends, either because the author reeeeeeally dislikes loose ends, or he went through some early high-school trauma that has led him to believe that death is easier than facing rejection.  [Yes, apparently Madeleine Brent is a pseudonym for a Peter O'Donnell, but don't let that dissuade you]. 

So this particular book just hits all the right spots for me - I have a serious weak spot for Chinese orphans and lady missionaries who care for them after watching The Inn of the Sixth Happiness (I know, I'm embarrassed for me, too) and arranged marriages which basically start off as the strangest method of charitable donation ever, but turn out to be true love.  The book did drag a little in the middle (if by drag, you mean mysterious night visitors, feuding neighbor families, bonfires, cave kidnappings, secret butler fathers and snowy rescues) after Lucy tries to accustom herself to English life, but picks right up again after her presumed-dead husband comes back.  Then the book takes a CRAZY turn for the awesome when Lucy and her father-in-law go tramping through China in the midst of the Boxer Rebellion.  I would watch the shit out of the tv-movie, is what I'm saying here. 

Honestly, if you're not already convinced, I don't know what else to say to get you to go out and procure your own copy.  I mean, more for me, I guess.  But if you're looking for some enjoyable escapist literature, I don't think you can go wrong here. 



*(It would totally save me, like $20, but then they might take my card away.  Also, I feel like that behavior is particularly frowned upon when committed by a member of the library's board of trustees.  Whoops!)

Snow Flower and the Secret Fan

Snow Flower and the Secret Fan, by Lisa See

In nineteenth-century China, in a remote Hunan county, a girl named Lily, at the tender age of seven, is paired with a laotong, “old same,” in an emotional match that will last a lifetime. The laotong, Snow Flower, introduces herself by sending Lily a silk fan on which she’s painted a poem in nu shu, a unique language that Chinese women created in order to communicate in secret, away from the influence of men. As the years pass, Lily and Snow Flower send messages on fans, compose stories on handkerchiefs, reaching out of isolation to share their hopes, dreams, and accomplishments. Together, they endure the agony of foot-binding, and reflect upon their arranged marriages, shared loneliness, and the joys and tragedies of motherhood. The two find solace, developing a bond that keeps their spirits alive. But when a misunderstanding arises, their deep friendship suddenly threatens to tear apart.

This is a book club book. And I mean that in an only mildly derogatory sense of the phrase. Book club books are, well, like pornography, hard to describe, but you know 'em when you see 'em. They're generally fiction, about people and relationships rather than say, thrillers or mysteries. Often, women will be the main character(s), and uh, the more I try to pin these types of books down, the more likely I am to rile up either (a) book group members, or (b) the authors of these types of books. I don't want to imply that any single book group is like this, but I just want to classify a certain set of books and when I read this set of books I automatically think, "book group book". I hope you know what I mean. It's not meant to be a slur on quality, but probably it's more about accessibility, and the way in which the book often gives people things to think about, but does it sort of non-aggressively, so that the members of your book group don't wind up screaming at each other over chips 'n' dip.

It's probably becoming very apparent that I have never actually been part of a book group, but I hear that stereotyping based off of representations of things in the media is very popular these days. For my part, I would rather have a book group for really difficult books, like Joyce's Ulysses, which I totally read without understanding a single thing that was going on, although it did not ruin my enjoyment of the book AT ALL. And I mean that in the sense that I enjoyed it muchly.

Anyhoo. Snow Flower and the Secret Fan is not, despite the title, a teen mystery à la Nancy Drew. I know, so misleading! It begins with the 80 year old Lily telling us that she is filled with guilt, regret, shame over something that happened with her "old same" Snow Flower, before winding us all the way back to the beginning of the tale. It starts with Lily's footbinding, as a matchmaker "discovers" that Lily's feet are perfectly proportioned to become the smallest (and thus, most beautiful) lotus feet in the area. Since Lily's fortunes are now on the rise, without a single thing being done, she's also considered for the prestigious position of laotong with another girl.

And just as a side note, See's done a really great job explaining all this background and cultural placement without reading like a very dry history book. It's entirely focused on the women's inner world so the need to get the details right about things like the placement of the women's room and who sleeps in it, and how the rituals of matchmaking proceed is very important. Not only that, but these types of details are the ones most often forgotten over the years as historians record the big earthshaking events, but rarely the day-to-day activities of women. So it's a pleasure to get this peek into Lily's world, even if I myself could have read even more about the minutiae of Lily's life. See strikes a nice balance between simply relaying information and storytelling.

Anyhow, Lily is found a candidate for laotong - Snow Flower - a girl who fits the signs from a larger, more prosperous family and village. The girls bind themselves together, promising to never let another come between them, and settle in for a life-long friendship. Okay, now SPOILERY SPOILERS!

The promise lasts about as long as it takes Lily to realize that Snow Flower has been lying to her for the past six or so years, and is actually the daughter of a dedicated opium smoker who has ruined her family's fortunes. Lily is devastated to find out (at her wedding) that Snow Flower is really hitching her wagon to Lily's rising star rather than the reverse. This part was a little tricky for me - the full secret and reveal came as a surprise to me, even though there were hints all throughout (but as you know I'm very slow to pick up on hints), so it was nice that just when you thought Snow Flower was already at her lowest low point, you find out some other horribly sad fact about her life and future. Lily, on the other hand, is a little snot. It's not completely unexpected, and it's true that Lily might deserve to feel betrayed, but it's the first crack in their friendship, and it's aggravating to see Lily, who had previously thought that Snow Flower was head and shoulders above her but welcoming her anyhow, not really be so willing to extend the same courtesy to Snow Flower. It's our first glimpse at the Lady that Lily becomes - righteous but cold.

To Lily's credit though, the two young women stay close for the next several years - or at least, as close as they can be given that Lily is married to the head honcho and Snow Flower is married to local unclean butcher, and both of them have mothers-in-law from hell. They go through a couple of year like that, havin' babies (or miscarryin', on Snow Flower's part) and visiting every so often, until the Taiping revolution, in which millions and millions of people were slaughtered. Lily is caught out at Snow Flower's house when this happens, so instead of leaving with her family, she has to climb a mountain with Snow Flower and her abusive husband and small children in the dead of winter. Once up there, Lily does her best to keep the whole family alive, by using her position as Lady to get more food for Snow Flower's scrawny firstborn son, but things sour after Snow Flower's second, heartier son dies, and her husband beats her, buries her son without her, and makes her miscarry another child. Lily compounds Snow Flower's misery by high-and-mightily telling her that her husband is a terrible person and Snow Flower should get over it by being the best wife she can be and having another child right away. What a gem of a friend!

This is really when things get sad: Snow Flower's fortunes, which never were high to begin with, fall even further as she gets beaten regularly and falls swiftly into depression, while Lily, who never had much in the way of difficulties, except possibly a loveless relationship with her husband, gets a moment of joyful reunion with him after they make it back down the mountain. It's sad because you can see what's coming, even though Lily can't: her constant nagging and nitpicking at Snow Flower are the only way she can care for Snow Flower - she can't relate to her, she can't sympathize with her, because their lives are so different now. In Lily's mind, following the rules means a happy life, since that's always worked for her, but Lily doesn't realize how lucky she is, and how justice should be tempered with mercy. So Snow Flower tells Lily that she needs another support group and Lily blackballs the shit out of her, ruining her status in the town.

Eventually Lily does realize where she went wrong, and repents, but it's still a tragedy. The book is supposed to be about this deep friendship, but I honestly think Lily stops being a real friend to Snow Flower the moment she realizes that Snow Flower isn't the high-falutin' person Lily thought she was when she was 7, which is more the matchmaker's fault than Snow Flower's. Lily's life isn't the easiest either, but she has so much when Snow Flower has so little, and Lily always seems very immature throughout - very much the angry teenager who stomps through the house and slams the door when you won't let her stay out until 11 pm.

It's a very compelling book, and I gobbled it right up, and like I said earlier, the setting and details are well done. It was really interesting to read about a time in which women basically did not go outdoors, ever, and hardly walked, and the culture which built up around footbinding (which obviously creates a lot of societal stratification, as seen in SFatSF). It's true that the women's lives might seem limited in scope, but See's managed to bring out the deep emotions and joys and sorrows that women of the time and place experienced. What's sad is that even female friendship, which is possibly the one real comfort these women got, was bound by these rules and regulations, and in many cases limited to their girlhood.

I do feel like the system that created the laotongs was the same that led, in part, to its destruction. And the book is a big warning on the perils of miscommunication. I know this review is more of a synopsis than my usual, but I will say that I enjoyed it very much, even if it was bound by the limitations of the "book club" type.