Anya's Ghost, by Vera Brosgol
Anya could use a friend, but she wasn't expecting to find one at the bottom of the old well she fell into. Emily has been there for 90 years - she's ready to get back out into the world, and her gratitude towards Anya knows no bounds. Until Anya begins to realize that Emily may have been in the well for a reason - and Emily doesn't want to go back. This one, like Be Prepared, takes inspiration from the author's life (although I assume all of the ghost stuff is made up). Anya is a scholarship teenager at an expensive prep school, trying to navigate relationships, and Emily seems like the answer to a prayer, helping Anya with tests, tracking down the cute boy's class schedule - at first. But when Anya doesn't like Emily's methods and tries to distance herself from her, Emily threatens even more destruction - this time on Anya's family. I don't know if it's the inclusion of ghosts, but this one felt slimmer than Be Prepared, more like a short story than a novel. It also seemed like it ended really abruptly. It seemed like the last scene (when Anya and her class are outdoors) was supposed to be connected somehow to Emily, but I couldn't figure out why (are they just out beautifying things? Did Anya tell people where to find Emily's bones? What is it?) and it seems like everything just wraps up really tidily. While still entertaining, definitely not my pick for Brosgol's finest.Trading in Danger, by Elizabeth Moon
Kylara Vatta, daughter of one of the great trade and shipping families, has been sent home from the military academy in disgrace. Her father arranges a new job for her - taking an old ship off for scrap - which should give her some time and space from her embarrassment, and set her up in the family business. But it's not long before Ky starts to take matters into her own hands, and accidentally winds up in the middle of a planetary war, where she'll have to use all her military training to survive mercenaries, mutinies, and pirates.One of the Publisher's Weekly reviews for a book in this series says that Moon is great at action and space battles, but it's "too bad she so frequently drowns them in mundane details that provide realism at the expense of entertainment." I could not have said it better. I like slow sci-fi books that talk about commerce and boring things (how else could I have made it through the Ancillary series?) but already in Trading in Danger, it feels like we spent a hundred and fifty pages ramping up to action, and then forty pages on the aftermath - planning funerals, reading mail, arranging a new name record for the ship (I am not making any of that up). I didn't mind it at the beginning, but it definitely feels like the end is unbearably slow paced, like when people (mostly my family, although I'm sure other people felt the same way) complained that The Lord of the Rings: Return of the King movie had like, ten endings that went on for an hour. It's a weird pacing problem. The other problem that Publisher's Weekly had, which I definitely agree with, was that things are set up, and then there's no payoff: like this polo match which is alluded to multiple times like it has meaning, and then is just skipped, or the whole ship model kit that Ky receives from one of her old military instructors which has a secret code in it that she just ignores, but then also happens to have the one part she needs later to re-assemble the ship's beacon. That pissed me off. Come on! You can't just be like, here's a mysterious package which has a mysterious part, which turns out to be the one part you need, but we're never going to even talk to the sender or mention him again, or even have consequences of using what is clearly a military beacon on this junk ship.
I'm just not quite convinced enough to keep going. Based on the reviews, although the rest of the series has more action, they're all plagued with similar issues.
